Archive for the ‘Matchmove Data Intergation’ Category

CG In Another World

CG In Another World
By: Barbara Robertson

When we think about the first films to convince directors that visual effects created with computer graphics could open their imaginations, two films immediately come to mind: James Cameron’s The Abyss, in which a transparent CG character communicated with an actor, and Cameron’s Terminator 2, which starred a digital, liquid [...]

THE FUTURE OF MOTION CAPTURE

THE FUTURE OF MOTION CAPTURE
Heath Firestone

In this article, I’m getting right at the meat of what technologies are, getting us closer to that goal, and what this really means for the future of not only motion capture filmmaking, which Steve Perlman of Mova (www.mova.com), refers to as volumetric cinematography, but also the impact it will [...]

How Benjamin Button got his face //Making of –Video

number of view: 190

Digital Effects Magic Explained In today’s digital Hollywood, cameras capture scenes in bits, not frames—and computer wizards conjure up everything from impossible beasts to cliff-top battlegrounds. Film is dead. Long live the movies

New Normal

A WOLF IN DIGITAL CLOTHING

In today’s movie­making, the creative work that takes place on a computer can be as important as what goes on in front of the camera. In the big-screen adaptation of Frank Miller’s historical graphic novel 300 (above), the future Spartan King Leonidas fends off a wolf. On set, visual-effects supervisor [...]